Course Description

If you’ve always wanted to instantly be able to play any scale, chord or arpeggio in any key, all over the neck, look no further than this series of lessons. Weighing in at over 6 hours and comprising 80 pages of pdfs and 13 backing tracks, this course is a comprehensive as it gets!

As a degree-level music lecturer, I am extremely passionate about fretboard knowledge and in my career as a session guitarist, I’ve been very fortunate to have worked with some big names, playing lots of different styles of music. The one thing all of these artists have in common is that working with them requires that you have full command of the fretboard.

Fretboard knowledge is very important when it comes to both improvisation and composition. There are many ways to learn the guitar's neck: There’s the CAGED system, which is based on learning 5 positions; the 3-note-per-string system, which is based on 7 positions; there’s a 6 position system; the intervallic, formula-based system; a system in which we relate all of our information back to the pentatonic scale…the list goes on.

One important thing to remember is that these methods are all just different ways of viewing and processing the same information.

Over the next 56 lessons, we will delve deep into the world of fretboard knowledge, looking at all of the best known methods for visualising and playing scales, chords, triads and arpeggios.

Additionally, we will study the modal system in depth, working with several backing tracks and learning some cool, rock-based solos.

This course is for guitar players of all levels. Late beginners can get a head start on their fretboard knowledge by following the the lessons, but the course is also ideal for intermediate players and even advanced guitarists with gaps in their knowledge.

This series is largely theory based and packed full of information. It is recommended that you print out and study the included tab and fretboard diagrams and watch through this series at least once without your guitar. This will allow you to get a feel for which system (or combination of systems) works for the way you want to play.

Ready? Let’s unlock that fretboard!

Master The Fretboard

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  • Course Description

Section 1: Note-Finding And The CAGED System

  • Lecture 1: Introduction
  • Lecture 2: Locating The Notes On The Neck (part 1)
  • Lecture 3: Locating The Notes On The Neck (part 2)
  • Lecture 4: Locating The Notes On The Neck (part 3)
  • Lecture 5: Introducing The CAGED System: CAGED Major Chord Shapes
  • Lecture 6: CAGED Major Chord Shapes In Other Keys
  • Lecture 7: CAGED Major Triad Arpeggios (part 1)
  • Lecture 8: CAGED Major Triad Arpeggios (part 2)
  • Lecture 9: CAGED Major Triad Arpeggios (part 3)
  • Lecture 10: CAGED Major Pentatonic Scale Shapes
  • Lecture 11: CAGED Seven Note Major Scale Shapes (part 1)
  • Lecture 12: CAGED Seven Note Major Scale Shapes (part 2)
  • Lecture 13: CAGED Seven Note Major Scale Shapes (part 3)
  • Lecture 14: CAGED Minor Chord Shapes
  • Lecture 15: CAGED Minor Triad Arpeggios
  • Lecture 16: CAGED Minor Pentatonic Scale Shapes
  • Lecture 17: CAGED Seven Note Minor Scale Shapes
  • Lecture 18: Different Ways To Practice The CAGED System
  • Lecture 19: Major 7th Chords And Arpeggios Using The CAGED System
  • Lecture 20: Dominant 7th Chords And Arpeggios Using The CAGED System
  • Lecture 21: Minor 7th Chords And Arpeggios Using The CAGED System

Section 2: The Three-Note-Per-String System (3NPS)

  • Lecture 22: Introducing The Three-Note-Per-String System
  • Lecture 23: Learning The Three-Note-Per-String System (part 1)
  • Lecture 24: Learning The Three-Note-Per-String System (part 2)
  • Lecture 25: Converting CAGED Scale Shapes To Three-Notes-Per-String

Section 3: The Modal System

  • Lecture 26: Introducing The Modal System
  • Lecture 27: The Parent Scale
  • Lecture 28: Harmonising The Major Scale Using Chords (part 1)
  • Lecture 29: Harmonising The Major Scale Using Chords (part 2)
  • Lecture 30: Modal Accompaniment
  • Lecture 31: The Modes In Essence
  • Lecture 32: The Ionian Mode In Isolation
  • Lecture 33: The Dorian Mode In Isolation
  • Lecture 34: The Phrygian Mode In Isolation
  • Lecture 35: The Lydian Mode In Isolation
  • Lecture 36: The Mixolydian Mode In Isolation
  • Lecture 37: The Aeolian Mode In Isolation
  • Lecture 38: The Locrian Mode In Isolation
  • Lecture 39: Applying The Modes To Real-World Musical Situations
  • Lecture 40: Practical Soloing - The Ionian Mode
  • Lecture 41: Practical Soloing - The Dorian Mode
  • Lecture 42: Practical Soloing - The Phrygian Mode
  • Lecture 43: Practical Soloing - The Lydian Mode
  • Lecture 44: Practical Soloing - The Mixolydian Mode
  • Lecture 45: Practical Soloing - The Aeolian Mode
  • Lecture 46: Practical Soloing - The Locrian Mode
  • Lecture 47: Using The CAGED System To Visualise Modes

Section 4: Pentatonic Framework; Intervallic, Formula-Based Approach & 6-Position System

  • Lecture 48: The ‘Pentatonic Framework’ Approach To Learning The Neck
  • Lecture 49: The Intervallic, Formula-Based Approach To Learning The Fretboard (part 1)
  • Lecture 50: The Intervallic, Formula-Based Approach To Learning The Fretboard (part 2)
  • Lecture 51: The Intervallic, Formula-Based Approach To Learning The Fretboard (part 3)
  • Lecture 52: The Intervallic, Formula-Based Approach To Learning The Fretboard (part 4)
  • Lecture 53: The Intervallic, Formula-Based Approach To Learning The Fretboard (part 5)
  • Lecture 54: The Intervallic, Formula-Based Approach To Learning The Fretboard (part 6)
  • Lecture 55: The Intervallic, Formula-Based Approach To Learning The Fretboard (part 7)
  • Lecture 56: The 6 Position System For Learning Scales And Arpeggios