Lecture 45: Practical Soloing - The Aeolian Mode

In this lesson, we will learn a solo using the A aeolian mode (otherwise known as the A natural minor scale), over a typically aeolian chord progression. This solo highlights the characteristic notes of the aeolian mode.

It’s important to remember that all of our information, both in our solo and in the chords beneath, comes from our parent scale of C major. In addition to learning the solo, we will discuss any additional diatonic arpeggios and pentatonic scales we can use, along with our 7 note scale ideas, when soloing over this backing track.

The solos I played in this section are merely suggestions. If you want to increase your vocabulary and learn some new licks, by all means, learn the solos note-for-note, but it’s more important to simply experiment with and explore each scale while having fun with the backing tracks.

As a bonus, I have also included the Guitar Pro (.gp) files, for the benefit of those with the Guitar Pro software by Arobas Music. It's not essential that you have this software, but the interactive TAB can be fun!


Resources:

modes-a-aeolian-100bpm.mp3

Download audio file

44.nd-practical-soloing-the-aeolian-mode.pdf
45.tsn.a_aeolian_solo.pdf
A+Aeolian+Solo.gp
modes-a-aeolian-100bpm.mp3

Master The Fretboard

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  • Course Description

Section 1: Note-Finding And The CAGED System

  • Lecture 1: Introduction
  • Lecture 2: Locating The Notes On The Neck (part 1)
  • Lecture 3: Locating The Notes On The Neck (part 2)
  • Lecture 4: Locating The Notes On The Neck (part 3)
  • Lecture 5: Introducing The CAGED System: CAGED Major Chord Shapes
  • Lecture 6: CAGED Major Chord Shapes In Other Keys
  • Lecture 7: CAGED Major Triad Arpeggios (part 1)
  • Lecture 8: CAGED Major Triad Arpeggios (part 2)
  • Lecture 9: CAGED Major Triad Arpeggios (part 3)
  • Lecture 10: CAGED Major Pentatonic Scale Shapes
  • Lecture 11: CAGED Seven Note Major Scale Shapes (part 1)
  • Lecture 12: CAGED Seven Note Major Scale Shapes (part 2)
  • Lecture 13: CAGED Seven Note Major Scale Shapes (part 3)
  • Lecture 14: CAGED Minor Chord Shapes
  • Lecture 15: CAGED Minor Triad Arpeggios
  • Lecture 16: CAGED Minor Pentatonic Scale Shapes
  • Lecture 17: CAGED Seven Note Minor Scale Shapes
  • Lecture 18: Different Ways To Practice The CAGED System
  • Lecture 19: Major 7th Chords And Arpeggios Using The CAGED System
  • Lecture 20: Dominant 7th Chords And Arpeggios Using The CAGED System
  • Lecture 21: Minor 7th Chords And Arpeggios Using The CAGED System

Section 2: The Three-Note-Per-String System (3NPS)

  • Lecture 22: Introducing The Three-Note-Per-String System
  • Lecture 23: Learning The Three-Note-Per-String System (part 1)
  • Lecture 24: Learning The Three-Note-Per-String System (part 2)
  • Lecture 25: Converting CAGED Scale Shapes To Three-Notes-Per-String

Section 3: The Modal System

  • Lecture 26: Introducing The Modal System
  • Lecture 27: The Parent Scale
  • Lecture 28: Harmonising The Major Scale Using Chords (part 1)
  • Lecture 29: Harmonising The Major Scale Using Chords (part 2)
  • Lecture 30: Modal Accompaniment
  • Lecture 31: The Modes In Essence
  • Lecture 32: The Ionian Mode In Isolation
  • Lecture 33: The Dorian Mode In Isolation
  • Lecture 34: The Phrygian Mode In Isolation
  • Lecture 35: The Lydian Mode In Isolation
  • Lecture 36: The Mixolydian Mode In Isolation
  • Lecture 37: The Aeolian Mode In Isolation
  • Lecture 38: The Locrian Mode In Isolation
  • Lecture 39: Applying The Modes To Real-World Musical Situations
  • Lecture 40: Practical Soloing - The Ionian Mode
  • Lecture 41: Practical Soloing - The Dorian Mode
  • Lecture 42: Practical Soloing - The Phrygian Mode
  • Lecture 43: Practical Soloing - The Lydian Mode
  • Lecture 44: Practical Soloing - The Mixolydian Mode
  • Lecture 45: Practical Soloing - The Aeolian Mode
  • Lecture 46: Practical Soloing - The Locrian Mode
  • Lecture 47: Using The CAGED System To Visualise Modes

Section 4: Pentatonic Framework; Intervallic, Formula-Based Approach & 6-Position System

  • Lecture 48: The ‘Pentatonic Framework’ Approach To Learning The Neck
  • Lecture 49: The Intervallic, Formula-Based Approach To Learning The Fretboard (part 1)
  • Lecture 50: The Intervallic, Formula-Based Approach To Learning The Fretboard (part 2)
  • Lecture 51: The Intervallic, Formula-Based Approach To Learning The Fretboard (part 3)
  • Lecture 52: The Intervallic, Formula-Based Approach To Learning The Fretboard (part 4)
  • Lecture 53: The Intervallic, Formula-Based Approach To Learning The Fretboard (part 5)
  • Lecture 54: The Intervallic, Formula-Based Approach To Learning The Fretboard (part 6)
  • Lecture 55: The Intervallic, Formula-Based Approach To Learning The Fretboard (part 7)
  • Lecture 56: The 6 Position System For Learning Scales And Arpeggios