Lecture 47: Using The CAGED System To Visualise Modes

Previously, when we studied the CAGED system, we viewed it as 5 major (ionian) and 5 natural minor (aeolian) scales before moving onto the three-note-per-string system. The three-note-per-string system is a good starting point for visualising the 7 modal scales all over the neck, as it presents us with 7 shapes, starting from a different note of the parent scale each time.

However, now that we’re familiar with the 7 modes of the major scale, it’s possible to visualise modal scales using the 5 shapes of the CAGED system.

All examples on the PDF use the parent scale of C major. However, this concept can, of course, be transposed to all 12 keys.



Resources:

48.nd-visualising-modes-with-caged-shapes.pdf

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  • Course Description

Section 1: Note-Finding And The CAGED System

  • Lecture 1: Introduction
  • Lecture 2: Locating The Notes On The Neck (part 1)
  • Lecture 3: Locating The Notes On The Neck (part 2)
  • Lecture 4: Locating The Notes On The Neck (part 3)
  • Lecture 5: Introducing The CAGED System: CAGED Major Chord Shapes
  • Lecture 6: CAGED Major Chord Shapes In Other Keys
  • Lecture 7: CAGED Major Triad Arpeggios (part 1)
  • Lecture 8: CAGED Major Triad Arpeggios (part 2)
  • Lecture 9: CAGED Major Triad Arpeggios (part 3)
  • Lecture 10: CAGED Major Pentatonic Scale Shapes
  • Lecture 11: CAGED Seven Note Major Scale Shapes (part 1)
  • Lecture 12: CAGED Seven Note Major Scale Shapes (part 2)
  • Lecture 13: CAGED Seven Note Major Scale Shapes (part 3)
  • Lecture 14: CAGED Minor Chord Shapes
  • Lecture 15: CAGED Minor Triad Arpeggios
  • Lecture 16: CAGED Minor Pentatonic Scale Shapes
  • Lecture 17: CAGED Seven Note Minor Scale Shapes
  • Lecture 18: Different Ways To Practice The CAGED System
  • Lecture 19: Major 7th Chords And Arpeggios Using The CAGED System
  • Lecture 20: Dominant 7th Chords And Arpeggios Using The CAGED System
  • Lecture 21: Minor 7th Chords And Arpeggios Using The CAGED System

Section 2: The Three-Note-Per-String System (3NPS)

  • Lecture 22: Introducing The Three-Note-Per-String System
  • Lecture 23: Learning The Three-Note-Per-String System (part 1)
  • Lecture 24: Learning The Three-Note-Per-String System (part 2)
  • Lecture 25: Converting CAGED Scale Shapes To Three-Notes-Per-String

Section 3: The Modal System

  • Lecture 26: Introducing The Modal System
  • Lecture 27: The Parent Scale
  • Lecture 28: Harmonising The Major Scale Using Chords (part 1)
  • Lecture 29: Harmonising The Major Scale Using Chords (part 2)
  • Lecture 30: Modal Accompaniment
  • Lecture 31: The Modes In Essence
  • Lecture 32: The Ionian Mode In Isolation
  • Lecture 33: The Dorian Mode In Isolation
  • Lecture 34: The Phrygian Mode In Isolation
  • Lecture 35: The Lydian Mode In Isolation
  • Lecture 36: The Mixolydian Mode In Isolation
  • Lecture 37: The Aeolian Mode In Isolation
  • Lecture 38: The Locrian Mode In Isolation
  • Lecture 39: Applying The Modes To Real-World Musical Situations
  • Lecture 40: Practical Soloing - The Ionian Mode
  • Lecture 41: Practical Soloing - The Dorian Mode
  • Lecture 42: Practical Soloing - The Phrygian Mode
  • Lecture 43: Practical Soloing - The Lydian Mode
  • Lecture 44: Practical Soloing - The Mixolydian Mode
  • Lecture 45: Practical Soloing - The Aeolian Mode
  • Lecture 46: Practical Soloing - The Locrian Mode
  • Lecture 47: Using The CAGED System To Visualise Modes

Section 4: Pentatonic Framework; Intervallic, Formula-Based Approach & 6-Position System

  • Lecture 48: The ‘Pentatonic Framework’ Approach To Learning The Neck
  • Lecture 49: The Intervallic, Formula-Based Approach To Learning The Fretboard (part 1)
  • Lecture 50: The Intervallic, Formula-Based Approach To Learning The Fretboard (part 2)
  • Lecture 51: The Intervallic, Formula-Based Approach To Learning The Fretboard (part 3)
  • Lecture 52: The Intervallic, Formula-Based Approach To Learning The Fretboard (part 4)
  • Lecture 53: The Intervallic, Formula-Based Approach To Learning The Fretboard (part 5)
  • Lecture 54: The Intervallic, Formula-Based Approach To Learning The Fretboard (part 6)
  • Lecture 55: The Intervallic, Formula-Based Approach To Learning The Fretboard (part 7)
  • Lecture 56: The 6 Position System For Learning Scales And Arpeggios